Reviewing Annika Larsson’s videos from the earliest years of this century makes clear how sober they are to our present, their future, despite their dream-like qualities. The alternating currents of Fascism and Fetishism are deployed without dissonant, post-modern distancing effects. This is not quite cultural critique at an arm’s length. The artist has her finger on something else.
Annika Larsson: Control and command altered with time
Monika Szewczyk, C-print, October 9, 2017
