In Katarina Löfström’s third solo exhibition at Andréhn-Schiptjenko, one is cajoled by both the comfort of repetition and sensory parameters related to any given reality. Perception, after all, is adaptable and even, at times, restrained. Human beings are able to train themselves to hone attractive skills and master talents through trial and error. Yet we are limited by the physical vessels we inherit, and hindered as our bodies deteriorate over time. As if in response to these constraints, Löfström focuses inward, embracing less circumscribed states—to begin the dialogue between “me” and “myself,” which Plato saw as the essence of thought.
Katarina Löfström: Katarina Löfström at Andréhn-Schiptjenko
Jacquelyn Davis, e-flux Criticism, April 26, 2013
