I first came across multidisciplinary artist Santiago Mostyn's work on a visit to Moderna Museet in Stockholm. His video performance Delay (2014) followed the artist through the streets of the Swedish capital as he encountered aftluent white men and adressed each racially charged interaction w ith the simple touch of his hand. It is in this way that Mostyn approaches his experiences, by becoming a character through which social forces are reflected, that drew me to his work.
Santiago Mostyn, Studio Visit
Eric Booker, Studio Magazine, February 1, 2017