Julio Le Parc: Julio Le Parc at Palais de Tokyo

Mara Hoberman, Artforum, February 28, 2013

For the past half century, Julio Le Parc has created disorienting and elating sensorial experiences by manipulating light and reflection with kinetic constructions. The entry to the artist’s largest-ever survey in France is via a dense forest of suspended full-length mirrors. Navigating through Passage-cellule agrandie du labyrinth de 1963 (Cell-Passage Enlargement of the 1963 Maze), 1963–2013, the viewer is besieged by his own undulating, infinitely reflected image—and thereby initiated into a dual role as spectator and active participant.